A digital sculptor and 3D animator, Swedish artist David Aberg spent almost a decade honing his craft: staying up-to-date on the constantly evolving technology and learning the outlines of the human body to be able to digitally render corporal parts with anatomical precision. “I am a sculptor who creates sculptures that don’t exist in real life. Technology allows me to create these artworks in exceptional detail, to make them look entirely believable in virtual media.”
Anna Shukeylo’s artistic career started at four and a half, when she aced the admissions test to Saint Petersburg’s art school and entered a rigorous art training in addition to her regular school curriculum. It was prophetic that her family lived on Xudozhnikov Prospect; translated from Russian, it is a Street of Painters. When Anna was around ten, her family relocated to the U.S. She continued studying art throughout school and ended up going to the Pennsylvania Academy of the Fine Arts. A few months after graduating with BFA/Certificate in Painting, she moved to New York, where she received her MFA in Painting from Pratt Institute in 2014. Today, Anna has her studio in the city and lectures full-time as a Fine Arts professor at Kean University.
More then two thousand years ago, Plato compared society to life-time prisoners in a cave, where the reality they see and deem to be the only truth is a mere reflection of the world outside. According to Plato, people should not be taking sensory knowledge of reality (which comes from what we see and hear in the world) for reality itself and only philosophers are able to see beyond our perception and comprehend alternative possibilities. Artists, however, have that capability as well.
If you find delight in the three-paneled garden of Hieronymus Bosch, you will surely enjoy artwork by self-taught Venezuelan artist Salvador Di Quinzio. “My audience is made up of people who resonate, who vibrate whenever they see something that tickles their mind.” Salvador takes great pleasure in imagining and then painting his stories. He carefully places many clues within his pictorial narratives for those who will take time to look into the details, diving deep into their knowledge of universal myths, symbology, and psychology. “These symbols will be picked up by only a few people. I am interested in the intellectual chemistry that happens at the level of thoughts and ideas.”
It is a busy time for Brooklyn-based Italian artist Angelica Bergamini – she is preparing for her second solo show “Whispers” at the Ivy Brown Gallery. The exhibition that opens on May 8th will present 3 new series of her work.
Curious and intellectual, David Paul Kay is a New York based artist most widely recognized for his playful black and white mazed iconography. “People always think that because it’s black and white I limit myself. But it is exactly because of that, I’m unlimited. That’s like my 1s and 0s and I can write any code.”
After being senselessly attacked by strangers and experiencing terror of imminent death, artist John Duncan felt a range of intense emotions: panic, fear, anger and also relief. Such emotional high made him feel so alive that he wanted to share these sensations with others. That was the origin of Scare (1976), where Duncan was knocking on friends’s doors in the middle of the night, while wearing a mask, and shooting them in the face with a gun loaded with blanks.