Mark Sheinkman at Von Lintel Gallery

Mark Sheinkman New Paintings 2019
Von Lintel Gallery, Los Angeles
through October 12

On September 7th, Von Lintel Gallery opened its first solo show after moving recently to its new location in the Bendix Building, one of the art hubs of Downtown Los Angeles. This is the 13th solo exhibition for the artist, Mark Sheinkman, who has had a 22-year history with the gallery. Born in New York, Mr. Sheinkman still lives and works in the city that most certainly galvanizes his artwork.

The paintings in the show range from small (18” x 14”) to large (52” x 72”), but all have an equally strong impact. The energy present in the room is almost tangible. As the oil lines dance, and twist, and interlace into some complex dynamic configurations, they seem to exist in the spaces between the off-white surfaces of the paintings’ backgrounds and us, the viewers.

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Artist Profile: Vanessa Rosa

Curly-haired Brazilian artist Vanessa Rosa is buzzing with energy and excitement when she speaks about the multitude of ideas she is working on: many are collaborations, others are solo projects. A history and science enthusiast, Vanessa notes: ”Leonardo Da Vinci said, ‘Painting is a mental activity.’ What I like to do is translate into an image an array of concepts, being it social activism, history, science, or whatever else.”

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Vanessa German “$lang: Short Language in Soul” at Gavlak LA

Gavlak Los Angeles
through May 25th

“Growing up I did not fit in. I never knew the Slang of the day. I was always ‘other’ & ‘outside of’, even in my own community I was strange. This changed for me when I had no other choice but to listen to my soul, to trust it. The parts of myself that only quake from the inside of the inside of the inside.” ~Vanessa German

Vanessa German is a powerful poet. Her potent charged words come forth in her riveting performances. Striking, they produce emotional ripples, provoke reflection, and inspire action. She speaks passionately about many urgent issues of the day – crime, violence, discrimination, identity, community, and hypocrisy of religious and political institutions. And just as fervently she speaks about Love – love for one’s family, neighbors, nature and our planet. When speaking of social ills, German doesn’t just point things out, she actively works within her community in Homewood (Pittsburgh, Pennsylvania), striving to bring lasting changes, protect, empower and also heal. All that the artist is and does literally and figuratively is imbedded in her artwork, which is magical and powerful in its imagery and the ideas it puts forward.

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Artist Profile: Gwen Samuels

When Gwen Samuels created a realistic sculpture of a ram’s head, she was very excited. According to the artist, the result was “an excellent copy.” Proudly, she showed it to a good friend who unenthusiastically said, “Well, if that’s the way you want to go…” Luckily, this friend knew Gwen very well and understood what made her unique. Gwen went back to work. She cut the sculpture, added a few details, now her ram had its own personality. “It had this amazing neck piece. The horns were going in crazy directions. That’s ME! No one can copy that.”

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Kacper Kowalski at Galerie XII Los Angeles

A new gallery has just opened its doors on Miracle Mile sharing the courtyard with Praz-Delavallade and 1301 PE Projects and Editions. Los Angeles outpost of Galerie Photo 12, Paris officially opened on December 1 with a solo show of Kacper Kowalski introducing the Polish aerial photographer to the West Coast audience.

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Jwan Yosef at Praz-Delavallade Gallery

Artist Jwan Yosef is cool, calm and collected. With serious countenance, he jokes often. Through his work, Yosef has been trying to answer his own questions–identity, politics, religion, sexuality and sense of belonging are the topics he addresses. The concept of duality presents itself frequently in Yosef’s work and the origin of it stems from his personal history, filled with many opposites that produced so much unity. Only a person who questions his feelings about and understanding of his environment and his place in it, can eventually arrive at certainty about feeling uncertain and find confidence in spite of the inner ambivalence.

A walk through the exhibition rooms at Praz-Delavallade in Los Angeles reveals a number of paintings, sculptures and objects that ambiguously fall in either of the two categories. If this is your first time seeing the work of Jwan Yosef, questions, one after another, will certainly pop up in your head. You may or may not think of the answers, but you most likely will not stay emotionally indifferent.

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Tahiti Pehrson at Joseph Gross Gallery

As you walk into Joseph Gross Gallery in Los Angeles, you come to face a large sculptural tapestry that immediately transports you from Chinatown to the Middle East or the Ancient Greece or Rome. The hanging white cotton rag looks like a facade of a marble mausoleum. It gives a sense of solidity, grandiosity, and at the same time of beauty, delicacy, and serenity. The protruding middle part looks like a mashrabiya, known in English as a “harem window,” a characteristic architectural element of Arab residencies, famous for the latticework decorating its wooden window panels. Evoking this images, the middle part of the artwork has several cut-out vertical rectangles that look like windows. The ‘walls’ surrounding them display intricate patterns of crossing lines and smaller diamond-shaped cutouts that form a grid allowing the light to pass through and create shadows on the gallery wall behind the hanging sculpture. Shadow adds to the visual perception of the work creating the depth and adding another layer of hidden patterns.

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